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# Wren Cellier

## Sitemaps

- [XML Sitemap](https://wrencellier.com/sitemap.xml): Contains all public & indexable URLs for this website.

## Pages

- [Accueil](https://wrencellier.com/)
- [Contact](https://wrencellier.com/contact/) - wren.reyek(at)protonmail.com instagrambandcampsoundcloud
- [Info](https://wrencellier.com/info/) - *1997, CH Wren Cellier vit et travaille à Lausanne. Ses recherches portent sur des sujets tels que l'identité, le genre, les relations et l'incarnation à travers la notion d'interconnexion. Travaillant avec différents médiums, iel tend à créer une atmosphère spécifique dans un espace, oscillant entre confort et inconfort, vulnérabilité et étrangeté. Utilisant sa voix et
- [Info](https://wrencellier.com/info/) - *1997, CH Wren Cellier lives and works in Lausanne. Their research focuses on identity, gender, relationships and embodiment through the notion of interconnection. Working with different mediums, they tend to create a specific atmosphere in a space, balancing between comfort and discomfort, vulnerability and strangeness. Using their voice and body allow them to create an
- [Contact](https://wrencellier.com/contact/) - wren.reyek(at)protonmail.com instagrambandcampsoundcloud
- [Home](https://wrencellier.com/)

## Works

- [Airbag, installation](https://wrencellier.com/work/airbag/) - Made out of recycled material such as bedcloth, shirts, metal springs and glass, Airbag stands as a symbolic object. This work represents a reflection on humanity’s eternal fall and of what remains after impacts. Specifically designed for the space, the installation responds and moves according to the air ow of visitors. Towards the back of
- [Airbag, installation](https://wrencellier.com/work/airbag/) - Créé avec des tissus récupérés, du verre et différents matériaux organiques, Airbag évoque pour l'artiste un objet symbolique. La pièce est imaginée comme un reflet de la chute éternelle de l'humanité et de ce qui reste après l'impact. Spécialement conçue pour cet espace, l'installation réagit et bouge en fonction des flux d'air et du mouvement
- [Qu'attends-tu pour voler](https://wrencellier.com/work/quattends-tu-pour-voler/) - (...)dig into the skyuntil the blue, neither pure nor dirty, salivates until desire sweats from your pale poresand your many hues return ~you need not heed the crowdthe hybrid or the two-headed monster the solid wind like an offering on our burning tongues between pyre and solstice bonfirearm yourself with your prettiest pearlsand billow out
- [Qu'attends-tu pour voler](https://wrencellier.com/work/quattends-tu-pour-voler/) - Qu’attends-tu pour voler
- [Purple road, damp sun – Liste](https://wrencellier.com/work/purple-road-damp-sun-liste/) - route mauve soleil moite route mauve soleil moite route mauve soleil moite, soleil, marcher entre les détritus les entrailles les yeux sur l’horizon aimer ton corps aimer plus loin tenir mon regard et tenir tenir tenir // rejoindre tes écailles de dentelle, lécher tes dents coquillagessur la route mauve le soleil pleure, aimer plus fort
- [Purple road, damp sun – Liste](https://wrencellier.com/work/purple-road-damp-sun-liste/) - purple road damp sun purple road damp sun purple road damp sun, sun, walk amongst the debris and the entrails eyes on the horizon love your body love further hold my gaze and hold on hold on hold on // re-weld your scales of lace, lick your seashell teeth on the purple road the sun
- [Purple road, damp sun – WUKA](https://wrencellier.com/work/purple-road-damp-sun-wuka/) - Take the sound of your own tearsMultiply by unknown yearsYou’ve been so brave, unafraid underneathYou’ll bear the wounded child Walking woundedCan’t rewrite the story told they hold so tightPlay the part they must relieveDo not forget, do not for give We do all that we can doTo survive what we’re put throughHere in this cool,
- [Purple road, damp sun – WUKA](https://wrencellier.com/work/purple-road-damp-sun-wuka/) - Take the sound of your own tearsMultiply by unknown yearsYou’ve been so brave, unafraid underneathYou’ll bear the wounded child Walking woundedCan’t rewrite the story told they hold so tightPlay the part they must relieveDo not forget, do not for give We do all that we can doTo survive what we’re put throughHere in this cool,
- [PURPLE ROAD, DAMP SUN](https://wrencellier.com/work/purple-road-damp-sun/) - PURPLE ROAD, DAMP SUN
- [PURPLE ROAD, DAMP SUN](https://wrencellier.com/work/purple-road-damp-sun/) - Purple road, damp sun is both a performance and an installation, created specifically for ‘eeeeh!’. The project features an immersive soundtrack with original compositions by Ana Jikia, Giovanni Vicari, Amal Yaakoubi & Wren Cellier.
- [Free the memory](https://wrencellier.com/work/free-the-memory/) - Free the memory
- [Shapeshifter](https://wrencellier.com/work/shapeshifter/) - Vernissage de l'album MEGACYCLONE, coproduit avec le label Blue Yogurt.
- [Shapeshifter](https://wrencellier.com/work/shapeshifter/) - Release of the album MEGACYCLONE, co-produced with the Blue Yogurt label.
- [Tu te réveilles ce matin le ventre contre une pierre](https://wrencellier.com/work/tu-te-reveilles-ce-matin-le-ventre-contre-une-pierre/) - Tu te réveilles ce matin le ventre contre une pierre
- [Tu te réveilles ce matin le ventre contre une pierre](https://wrencellier.com/work/tu-te-reveilles-ce-matin-le-ventre-contre-une-pierre/) - Tu te réveilles ce matin le ventre contre une pierre is a performance combining sound, text, light and a slug-critter costume. As the soundtrack evolves, the slug starts moving and sheds its skins. Interested in processes of mutation and in-between states, Wren Cellier reflects here on on the state dormancy and questions the boundaries between
- [Do physaliae have heart attacks](https://wrencellier.com/work/do-physaliae-have-heart-attacks/) - Do physaliae have heart attacks questions poetry as a vital force in a world submerged by chaos. This performance was streamed live on the Arsenic website.
- [Free the memory](https://wrencellier.com/work/free-the-memory/) - This performance was inspired by the cuckoo behavior and the question of how to find one’s place. Wearing a bird costume that has lost its feathers, the performer wanders through the space, quoting poems and songs, interprating Björk and Annette Peacock. I will wade outTill my thighsAre steepedIn burning flowersI will take the sunIn my
- [Do physaliae have heart attacks](https://wrencellier.com/work/do-physaliae-have-heart-attacks/) - Do physaliae have heart attacks questionne la poésie comme force vitale dans un monde submergé par le chaos. Cette performance a été diffusée en direct sur le site internet de l’Arsenic.
- [Will you feel it down your spine](https://wrencellier.com/work/will-you-feel-it-down-your-spine/) - The figure and myths of the unicorn as well as their evolution throughout history in relation to gender reflection are the main inspiration for this performance. A cone-shaped sculpture is deconstructed and reconstructed with kombucha scoby between each fragment.
- [Will you feel it down your spine](https://wrencellier.com/work/will-you-feel-it-down-your-spine/) - La figure et les mythes de la licorne, ainsi que leurs évolutions à travers l’histoire en relation avec une réflexion sur le genre, sont les principales sources d’inspiration pour cette performance. Une sculpture en forme de cône est déconstruite et reconstruite avec des scobys de kombucha insérés entre chaque fragment.
- [Purple road, damp sun - CAN](https://wrencellier.com/work/purple-road-damp-sun-can/)